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%   Copyright (C) 2009-2010 Alex Fernández
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\pdf_title "Appendix Test"
\pdf_author "Alex Fernández"
\pdf_subject "Containing Numeration and Other Appendixy things"
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\author "" 
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\begin_body

\begin_layout Title
Appendix Test
\end_layout

\begin_layout Author
Alex Fernández (elyxer@gmail.com)
\end_layout

\begin_layout Standard
\begin_inset CommandInset toc
LatexCommand tableofcontents

\end_inset


\end_layout

\begin_layout Standard
\begin_inset FloatList figure

\end_inset


\end_layout

\begin_layout Standard
\begin_inset FloatList table

\end_inset


\end_layout

\begin_layout Part
Of How Our Hero Came and Went
\end_layout

\begin_layout Chapter
The Coming
\end_layout

\begin_layout Standard
Our hero came in.
 He was tired.
 He thought the world belonged to him.
\end_layout

\begin_layout Section
The Meeting
\end_layout

\begin_layout Standard
Our hero met with Laurinda.
 She was smiling.
 But our hero was not amused.
 His whiskers were dripping wet, he was astonishingly thirsty, and the contradic
tion was killing him.
 
\begin_inset Quotes eld
\end_inset

Give me some beer, woman!
\begin_inset Quotes erd
\end_inset

, he ordered.
\end_layout

\begin_layout Section
The Melting
\end_layout

\begin_layout Standard
Laurinda smiled again.
 
\begin_inset Quotes eld
\end_inset

But Wenceslau, you don't belong here.
\begin_inset Quotes erd
\end_inset

 What a stupid thing to say at that precise moment, our hero thought to
 himself.
 Only that it came out loud.
 At that precise moment he knew that the desired beer would not be forthcoming.
\end_layout

\begin_layout Standard
He turned to the bartender and tried to obtain a beer by the very old method
 of purchasing it.
 But being ignored was not one of Laurinda's specialities.
\end_layout

\begin_layout Chapter
The Going
\end_layout

\begin_layout Standard
It could not last.
 Laurinda's hips were flapping, and she was hopping mad.
\end_layout

\begin_layout Section
Our Hero's Imagination
\end_layout

\begin_layout Standard
Our hero imagined her as a rabbit with long ears and a fine set of tusks.
 In a short time the image drifted to a walrus, and our hero could not help
 letting his sinister smile giving him away.
 Figure 
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LatexCommand ref
reference "fig:rabbit-walrus"

\end_inset

 shows a gross approximation of the rabbit-walrus.
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\begin_inset Caption

\begin_layout Plain Layout
\begin_inset CommandInset label
LatexCommand label
name "fig:rabbit-walrus"

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The rabbit-walrus.
\end_layout

\end_inset


\end_layout

\begin_layout Plain Layout

\end_layout

\end_inset


\end_layout

\begin_layout Section
Laurinda's Anger
\end_layout

\begin_layout Standard
\begin_inset Quotes eld
\end_inset

Wasn't it great
\begin_inset Quotes erd
\end_inset

, said Laurinda.
 Actually she said it in the present tense, but our poor storytelling skills
 have changed that to a cheesy past.
 Don't do this at home, kids.
 You want to be regarded for your authenticity, and misquoting isn't going
 to help much.
\end_layout

\begin_layout Standard
Anyway, back to the story.
 Laurinda wanted to hit him in the head with a big ham that she kept just
 for occassions like this, and being a solid Hitchcock fan she was ready
 to cook the ham afterwards and serve the resulting stew to any policemen
 that might come by.
 She was also a huge Almodóvar fan, but she was unaware that in an early
 film the divine Pedro had copied the scene.
 Actually both directors had copied the idea from a short story by Roald
 Dahl, very much worth reading.
 Although it must be said that in this story it was a lamb leg, which hardly
 offers the consistency and stiffness necessary to kill a sturdy husband.
\end_layout

\begin_layout Standard
But who cares.
 Laurinda meanwhile had a funny appearance; if you want to see why please
 direct your eyes to figure 
\begin_inset CommandInset ref
LatexCommand ref
reference "fig:anger"

\end_inset

.
\end_layout

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wide false
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status open

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\begin_inset Graphics
	filename laurindas-anger.svg

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\begin_inset Caption

\begin_layout Plain Layout
\begin_inset CommandInset label
LatexCommand label
name "fig:anger"

\end_inset

Laurinda's anger pictured in a mildly humorous tone.
\end_layout

\end_inset


\end_layout

\end_inset


\end_layout

\begin_layout Standard
And yet, how furious was really Laurinda, whom we may optionally refer to
 as Melinda from now on? Table 
\begin_inset CommandInset ref
LatexCommand ref
reference "tab:anger-time"

\end_inset

 vainly attempts to quantify it.
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<lyxtabular version="3" rows="2" columns="2">
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Anger
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Time
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1
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\begin_inset Caption

\begin_layout Plain Layout
\begin_inset CommandInset label
LatexCommand label
name "tab:anger-time"

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Laurinda's anger as a function of time.
\end_layout

\end_inset


\end_layout

\end_inset


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For the sake of Laurinda's furiousness, here is figure 
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LatexCommand ref
reference "fig:anger-again"

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 again.
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Laurinda's anger, again.
\end_layout

\end_inset


\end_layout

\end_inset


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But how did Laurinda compute her anger? We cannot but speculate; here is
 a stupid suggestion in listing 
\begin_inset CommandInset ref
LatexCommand ref
reference "alg:computation"

\end_inset

.
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wide false
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anger = time - 1
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\begin_inset Caption

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\begin_inset CommandInset label
LatexCommand label
name "alg:computation"

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Laurinda computes her anger.
\end_layout

\end_inset


\end_layout

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\end_layout

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The result is in table 
\begin_inset CommandInset ref
LatexCommand ref
reference "tab:anger-time-again"

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, proving we were right all along.
 Also subtables 
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LatexCommand ref
reference "tab:Only-Anger"

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 and 
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LatexCommand ref
reference "tab:Only-Time"

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 show anger and time, respectively.
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Anger
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Only Anger.
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\end_layout

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Time
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2
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Only Time.
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\end_inset


\end_layout

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\begin_inset Caption

\begin_layout Plain Layout
\begin_inset CommandInset label
LatexCommand label
name "tab:anger-time-again"

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Laurinda's anger quantified, divided in two.
\end_layout

\end_inset


\end_layout

\end_inset


\end_layout

\begin_layout Standard
Interested in that last table? Let us repeat it but without a label and
 with a table and a subtable 
\begin_inset CommandInset ref
LatexCommand ref
reference "tab:rabbit-walrus-encore"

\end_inset

.
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Censored
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\begin_layout Plain Layout
\begin_inset CommandInset label
LatexCommand label
name "tab:rabbit-walrus-encore"

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The rabbit-walrus does an encore.
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\end_inset


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\end_layout

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<lyxtabular version="3" rows="2" columns="2">
<features>
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Anger
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Time
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\begin_inset Caption

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One more time.
\end_layout

\end_inset


\end_layout

\end_inset


\end_layout

\begin_layout Section
The Passing Away
\end_layout

\begin_layout Standard
Our hero was passing by the village.
 He had only stopped to say 
\begin_inset Quotes eld
\end_inset

Hi!
\begin_inset Quotes erd
\end_inset

 Again here our lousy skills have made us spoil the quote, but this time
 for the opposite reasons: everyone knows how to say 
\begin_inset Quotes eld
\end_inset

Hi!
\begin_inset Quotes erd
\end_inset

, so we don't need an actual quote.
 It is enough to report that the had stopped to say hi, even maybe qualifying
 it a bit to make do for the missing exclamation sign: he could have stopped
 to say a friendly hi.
 Getting all literary he could have stopped to say a longing hi, although
 this road leads to bizarreness.
 It could be cool though.
\end_layout

\begin_layout Standard
But anyway.
 Laurinda was so mad, so hopping mad that she called her friend, the Assassin.
 He was not in town at that precise moment, but that didn't help our hero
 as he was just outside town killing people in a small barn.
 Just for practice.
\end_layout

\begin_layout Standard
Our hero left the village, but Laurinda cunningly annotated the MAC address
 of his laptop's wifi card.
 The lack of networking knowledge on the part of our hero (who really couldn't
 tell a SYN packet from an ACK) was to play an important part in the story
 -- if he had known how to change the MAC address, which identified him
 with the precision of a surgeon's scalpel, he would have been safe.
\end_layout

\begin_layout Standard
Let's not even get into that last scalpel metaphor, shall we not? It leaks
 worse than the Titanic.
\end_layout

\begin_layout Part
Of How Our Hero Went No More
\end_layout

\begin_layout Chapter
The Killing
\end_layout

\begin_layout Standard
Our hero led a happy existence for a long time afterwards, randomly avoiding
 all points within connecting distance of a wifi network.
 It could not last.
\end_layout

\begin_layout Standard
Our hero went to the next village, found a friendly Moonrams cafe and connected
 to the net.
 Quickly the assassin (who knew the very people that run the internet, and
 who by this display of nerdiness no longer merits the starting capital
 letter) traced a bunch of IP packets coming from our hero's MAC address.
 He deployed a team of murderous African bees, which as surely as a well-cared-f
or AK-47 reached our hero and killed him with three fast stings.
 Of course they died afterwards, being bees and all, so it was an astounding
 feat this training of wild African bees just for this one murder.
 Maybe the Assassin merits that capital letter after all.
\end_layout

\begin_layout Section
The Passing Away
\end_layout

\begin_layout Standard
Our hero was undone.
 He was no more.
 He was, actually, an ex-hero.
 We shall narrate his wake soon.
\end_layout

\begin_layout Itemize
But first a message from our kind sponsors.
 They want to present you the next section in this deeper inset.
\end_layout

\begin_deeper
\begin_layout Section
The Mourning
\end_layout

\begin_layout Standard
Everyone cried in the ceremony.
 It was so sad that we need an image of this moment.
 You can find it in figure 
\begin_inset CommandInset ref
LatexCommand ref
reference "fig:mourning"

\end_inset

.
 
\begin_inset Note Greyedout
status open

\begin_layout Plain Layout
Mental note: never pay the artist beforehand.
\end_layout

\end_inset


\end_layout

\end_deeper
\begin_layout Standard
\begin_inset Float figure
wide false
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\begin_layout Plain Layout
\align center
\begin_inset Graphics
	filename mourning.svg

\end_inset


\end_layout

\begin_layout Plain Layout
\begin_inset Caption

\begin_layout Plain Layout
\begin_inset CommandInset label
LatexCommand label
name "fig:mourning"

\end_inset

A crude approximation to our hero's mourning.
\end_layout

\end_inset


\end_layout

\end_inset


\end_layout

\begin_layout Standard
And thusly everything happened.
\end_layout

\begin_layout Chapter
The Mourning
\end_layout

\begin_layout Standard
We have already talked at length about the mourning, and under sponsorship
 no less, so no further details will be given here.
 Suffice to say that our hero was mourned.
 A lot.
\end_layout

\begin_layout Chapter
\start_of_appendix
The Rebirth
\end_layout

\begin_layout Standard
Surprising everyone, our hero was about to make a comeback.
\end_layout

\begin_layout Section
Coming Again
\end_layout

\begin_layout Standard
As it happened, our hero had never died; he had just faked his own death
 to find out his assassin.
 It was not difficult, what with the capital letter and all.
\end_layout

\begin_layout Section
Two is Better than One
\end_layout

\begin_layout Standard
How to make another comeback? This is left as an exercise to the reader.
\end_layout

\begin_layout Chapter
Our Recommendation to Kids
\end_layout

\begin_layout Standard
Never trust killer bees.
 Or Assassins.
\end_layout

\begin_layout Section
Killer Bees and Their Perils
\end_layout

\begin_layout Standard
A killer bee cannot be trained consistently, since it will die at the first
 sting.
 Better use killing wasps -- or, even better, solve your differencies talking.
\end_layout

\begin_layout Standard
For the sake of your education, check figure 
\begin_inset CommandInset ref
LatexCommand ref
reference "fig:killer-bees"

\end_inset

.
 It shows a bunch of killer bees, or something.
\end_layout

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\begin_inset Float figure
wide false
sideways false
status open

\begin_layout Plain Layout
\align center
\begin_inset Graphics
	filename mourning.svg

\end_inset


\end_layout

\begin_layout Plain Layout
\begin_inset Caption

\begin_layout Plain Layout
\begin_inset CommandInset label
LatexCommand label
name "fig:killer-bees"

\end_inset

A gathering of killer bees.
 Supposedly.
\end_layout

\end_inset


\end_layout

\end_inset


\end_layout

\begin_layout Section
Assassins: Inherently Unreliable
\end_layout

\begin_layout Standard
Someone who kills people (even for business) is not someone you want to
 deal with.
 Watch 
\begin_inset Quotes eld
\end_inset

Fargo
\begin_inset Quotes erd
\end_inset

 by the Coen Brothers if you don't believe me.
 And remember: a hero under the belt is a feather on the hat.
\end_layout

\end_body
\end_document
